To be named：2019.001/D、2019.004/D、2017.027/V

As a native Shanghainese, I am sure I will not perceive Shanghai in an objectified way, because I have always been in it.

Qiu Jia tries to restore the "landscape" of Shanghai to "location" which eventually becomes an aggregate of meanings by extracting material information from the real life of Shanghai, such as the old wooden furniture which was restricted, eliminated and abandoned in Shanghai, and smashing, resetting, assembling and emptying them in the logic of confrontation and repositioned in space, so that the "thing" itself becomes a position.